Two deaths

Two amazing poets died this week, W. S. Merwin and Linda Gregg. I have posted several of Merwin’s poems before. Somehow though, I never have posted a poem by Linda Gregg. Here’s a sample:

Death Looks Down

Death looks down on the salmon
A male and female in two pools
one above the other
The female turns back along the path of water to the male 
does not touch him and returns to the place she had been 
I know what Death will do
Their bodies already sour and ragged
Blood has risen to the surface under the scales
One side of his jaw is unhinged 
Death will pick them up 
Put them away under his coat against his skin 
and belt them there
He will walk away up to the path through the bay trees
Through the dry grass of California to where the mountain begins
Where a few deer almost the color of the hills will look up until he is under the trees again 
Where the road ends and there is a gate
He will climb over that with his treasure 
It will be dark by then
But for now, he does nothing 
He does not disturb the silence at all
Nor the occasional sound of leaves
of ferns touching 
of grass or stream
For now he looks down at the salmon 
Large and whole 
Motionless days and nights in the cold water Lying still 
Always facing the constant motion

Linda Gregg

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Lynn Emanuel

This wonderful poet is coming to read here next week. I have posted one of her poems before, but thought I’d post another, from her book “The Dig.” This poem, as many in the book describe a childhood at the edge, with unreliable caretakers. The description of “wringing of every cent from every dollar,” resonated with me, and I love the details of the description.

The Red Kimono

I stare at the brass scarred by beating until
it is as bright and uneven as a lake in August when the sun
melts all reflections into one wide gold zero, when the sky
itself is wide, is hot as the bell that this schoolmaster,
inappropriately strict, tips to summon the children from the unrelenting
heat of noon. The long tape unrolls from the teeth of the adding
machine onto the scarred deal. Over and over the budget unreels
and spills, liberated from the sprockets and machinery of will.
My mother sits with a pencil and ticks her teeth, we are broke,
every avenue of escape is closed, even the car tires at the curb
are fat black zeros, all the scheming and coaxing, the wringing
of every cent from every dollar, has come to nothing. I watch
my mother swab up the dust, her hair tied in a rag, her naked
feet, nails bloodied by a tiny brush. Misery, misery, the cranes
of good luck hunch at the snowy mountain of her left breast
as she bends to set the empties on the step in the housecoat
the landlady lent.

Lynn Emanuel, from The Dig

Vija Celmins and spiders

I have been wanting to see Louise Bourgeois’ massive bronze spiders at the remodeled San Francisco Modern Museum of Art, and finally got there this week. They were as wonderful as I expected, muscular, dynamic, fun.

The bonus was the Vija Celmins retrospective. Her work starts as representations of single objects (very moving, somehow, painted with love on gray backgrounds) and moves into meticulous graphite representations of the ocean, the desert floor, the night sky. All very tenderly, lovingly done.

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